I had a great week sound designing & mixing Path New Music’s “Simulacrum.” This was an intricate multimedia production, presenting the super fun challenge of synchronizing audio, projections, & live performers with really hard music. Great to work with so many talented artists. Looking forward to more projects with Path.
Great couple of days mixing FULL BLUED. Cameron Wisch asked me to make beats for this project years ago, and its finally moving forward. So happy to be a part of this. Learned very much working with Chris Botta & watching him mix. Keep an 👁 out.
Last week, Justin Massey gave another great performance of “9 Rhymes” at the NASA 2018 Biennial Conference at University of Cincinnati College, Cincinnati, Ohio. He will be performing this piece a few more times this Spring in Cleveland & West Virginia.
Thank you to everyone who shared their work as part of the Miami ISCM Chapter’s call for works for the 2018 World Music Days in Beijing. We received approximately 150 submissions and are pleased to announce that the selected works are:
Chen Yi, Spring Rain
Jacob Sachs-Mishalanie, I if I
Joshua Hey, überschatten
Liza Sobel, Pianagerie
Robert McClure, the edge of still
Ryan Carter, A Slight Shift
Check out my first blog post for the CUNY Humanities Alliance
“When we talk about programming rhythm, I ask students to start quantized (rhythmically regular), and gradually give them ideas on how to incorporate irregularity. Each student comes up with different ways of balancing and organizing these forces. When we talk about choosing software, I explain the benefits of each program, but I also ask students how they approach individuality and expression in a world where so many people are working with the exact same tools. I ask them to think about technological determinism, and how the software influences their decisions and sounds. When we talk about digital audio (really fun stuff like file formats, sampling rate, and bit depth), we compare our everyday associations with the words “analog” (lo-fi, warmth) and “digital” (hi-fi, cold, clean) with an actual technical definition: continuous or discrete. They’re surprised when I say that typewriters are digital because they have a discrete number of possible characters, and have interesting arguments against this. One student said that yes, the characters are finite, but that the way a typewrite puts ink on a page and the alignment of each line is always a little bit different.”